philip-weiss | SabrangIndia https://sabrangindia.in/content-author/philip-weiss-8039/ News Related to Human Rights Wed, 07 Dec 2016 09:36:07 +0000 en-US hourly 1 https://wordpress.org/?v=6.2.2 https://sabrangindia.in/wp-content/uploads/2023/06/Favicon_0.png philip-weiss | SabrangIndia https://sabrangindia.in/content-author/philip-weiss-8039/ 32 32 More than half of US aid ‘to entire world’ goes to Israel and it ignores our warnings on settlements — Kerry https://sabrangindia.in/more-half-us-aid-entire-world-goes-israel-and-it-ignores-our-warnings-settlements-kerry/ Wed, 07 Dec 2016 09:36:07 +0000 http://localhost/sabrangv4/2016/12/07/more-half-us-aid-entire-world-goes-israel-and-it-ignores-our-warnings-settlements-kerry/ John Kerry offered yet another tough-love talk to Israel at the pro-Israel Saban Forum yesterday. The United States gives Israel more than half of the aid that we give “to the entire world,” and Israel simply ignores us when we warn it about new settlements.   Kerry: Every president, Republican and Democrat, has been opposed to […]

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John Kerry offered yet another tough-love talk to Israel at the pro-Israel Saban Forum yesterday. The United States gives Israel more than half of the aid that we give “to the entire world,” and Israel simply ignores us when we warn it about new settlements.

John Kerry
 

Kerry: Every president, Republican and Democrat, has been opposed to settlements – we issue a warning today when we see a new settlement announced. Nothing happens. It’s ignored, a new settlement goes up. New units, new sales. So the issue —
Journalist Jeffrey Goldberg: You’re describing a situation in which you have zero leverage.

Kerry: I think we do – I think we do have leverage —

Goldberg: But they never listen to you.
Kerry: No, they don’t, and they haven’t listened on settlements, that’s correct.

Here’s how much money we give Israel to ignore us.

I’ve watched while we, the Obama Administration, have put $23.5 billion on the line for foreign military financing. More than 50 percent of the total that we give to the entire world has gone to Israel. We have just signed an agreement for $38 billion over 10 years, $3.8 billion a year, up from 3.1.

Goldberg, the new editor-in-chief of the Atlantic, played the innocent. He knows damn well why the U.S. government has no leverage over Israel; because of Israel-loving journalists like himself and Israel-loving donors like Haim Saban. He ventured that the two-state solution (which he did as much as anyone to kill) is dead because there are now so many settlers in the West Bank there can never be a Palestinian state:

MR GOLDBERG: Have we not passed the tipping point already?
SECRETARY KERRY: No, no.

MR GOLDBERG: Why have we not passed the tipping point? It seems like it.
SECRETARY KERRY: No, we haven’t, but we’re getting very – we’re getting – I’ll tell you why we haven’t. Because this is a function of leadership. It’s a function of belief. It’s a function of what choices are being put to the people of Israel. So let me —

MR GOLDBERG: You know how hard it is to move 10,000, 8,000 settlers from Gaza. You’re talking about 90,000 —

(This is further evidence for my prediction that Goldberg in his new incarnation as liberal American editor in the footsteps of the abolitionists will become an anti-Zionist.)
Kerry also protested that he has spoken to Benjamin Netanyahu 375 times as Secretary of State, to the point that his wife says he talks to Netanyahu more than to her. He hinted that the Obama administration may get the last word with Netanyahu at the UN Security Council:

Kerry: Because of this building frustration, you need to know they are any number of countries talking about bringing resolutions to the United Nations.
Goldberg: Will you try to stop the French if they do it?

Kerry: If it’s a biased and unfair and a resolution calculated to delegitimize Israel, we’ll oppose it. Obviously, we will. We always have. But it’s getting more complicated now because there is a building sense of what I’ve been saying to you today, which some people can shake their heads, say, well, it’s unfair.

Another innocent observes:

Whatever the UN or the US or Martin Indyk wants to do for the Palestinians, I don’t know why the Palestinians would want it. Here’s how Kerry outlined his vision of a Palestinian state:

this small little city state, which is what effectively the West Bank would be, demilitarized as it would be

That’s reminiscent of the famous line on the vice presidency: it’s not worth a bucket of warm piss.

Kerry also warned that Israel is “heading to a place of danger,” because of its own decisions.

But I do believe that Israel, because of decisions that are being made on a daily basis quietly and without a lot of people seeing them or fully processing the consequences, is heading to a place of danger.

And just as he had researched the 375-conversations-with-Netanyahu number for the occasion, Kerry itemized the number of settlers, and reminded the audience that Israel built the wall on stolen land:

But back then in 1993 [when Oslo principles were signed], there were 110,000 settlers in the West Bank. Today there are 385,500 or so. There is an increase – there is about 90,000 settlers living outside of the barrier. And the barrier, I want to remind everybody here, was established by Israel.

That’s a line that was drawn by Israel – not necessarily a border, but it’s a line. It’s a reflection of a security line. Outside of that line drawn by Israel there are now 90,000 Israelis living in these patchworks of settlements. There are 129 settlements. There are about 100 outposts, and outposts, as you all know, are illegal. …

Now, these outposts begin as one building, two buildings, then they become a scattering of 10 or 15, then they become a, quote, “settlement.” And what’s really concerning about what is about to happen is that many of these outposts, most of them, are built on what is considered to be Palestinian private land. Now, since Obama became president, the population outside of the barrier in the West Bank has increased by 20,00 people.

Message, you’re on your own. You made your bed. But we might flip you the bird back before we go.

Courtesy: mondoweiss.net

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NY’s Public Theater cancels Palestinian production, ‘The Siege,’ it agreed to stage in May https://sabrangindia.in/nys-public-theater-cancels-palestinian-production-siege-it-agreed-stage-may/ Sat, 13 Feb 2016 10:29:00 +0000 http://localhost/sabrangv4/2016/02/13/nys-public-theater-cancels-palestinian-production-siege-it-agreed-stage-may/   Courtesy: http://mondoweiss.net/2016/02/nys-public-theater-cancels-palestinian-production-the-siege-it-was-to-stage-for-may/ This is tragic news. The Public Theater is slamming the door on Palestinian artists. The US Friends of the Jenin Freedom Theatre in Palestine made this announcement today: A message from the US Friends of The Jenin Freedom Theatre regarding the plans to present The Siege in partnership with the Public Theater: It […]

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Courtesy: http://mondoweiss.net/2016/02/nys-public-theater-cancels-palestinian-production-the-siege-it-was-to-stage-for-may/

This is tragic news. The Public Theater is slamming the door on Palestinian artists. The US Friends of the Jenin Freedom Theatre in Palestine made this announcement today:

A message from the US Friends of The Jenin Freedom Theatre regarding the plans to present The Siege in partnership with the Public Theater:

It is with deep regret that we announce that the Public Theater has decided not to proceed with the plans to showcase The Freedom Theatre’s The Siege in May, 2016.

Regardless of the difficulties, we intend to present this play to the US public. We are disappointed, but we are working to find another comparable venue for the play in the fall of 2017.

Thank you,
Friends of The Jenin Freedom Theatre
Constancia, Inea, Kathy, Felice, Yoram, Noelle, Liz, Jen, Josh, Margo, Terry, Dorothy, Dana, Lisa, Shaina, Linda, Gary

The production had already been postponed one year at the request of the Public, but with a promise to put it on this year. It was never on the official schedule; and the decision came down in recent days. I am told that Oskar Eustis, the trailblazing artistic director at the Public, was behind the show all the way. But evidently intense pressure came to bear on the Public Theater board, ala the “Death of Klinghoffer” pressures that came to bear on the Metropolitan Opera over that production, which went off in 2014 but with such opposition that the Metropolitan may well rue that decision. The Public didn’t want to take that chance, evidently.
 

Here is a description of the Siege, a play about resistance. Account from the International Solidarity Movement:
 

Inspired by the true story of a group of freedom fighters, now exiled across Europe and Gaza, The Siege tells of a moment in history that took place during the height of the second intifada in 2002. The Israeli army had surrounded Bethlehem from the air and on land with snipers, helicopters and tanks, blocking all individuals and goods from coming in or out. For 39 days, people were living under curfew and on rations, with their supply of water cut and little access to electricity. Along with hundreds of other Palestinians, monks, nuns and ten activists from the International Solidarity Movement, these five freedom fighters took refuge in the Church of the Nativity, one of the holiest sites in the world.
 
The play gives some insight into what it was like to be trapped inside the church, surviving on so little, with the smell of decaying dead bodies in the building, shot by Israeli snipers. It brings out the hard choice they were faced with between surrendering or resisting until the end. However, no matter what they chose, they were given no other option than to leave behind their family and homeland for ever, as all the freedom fighters – in reality 39 – were deported and have not been able to come back since.
 
We’ll be following this story, which is so reminiscent of the New York Theatre Workshop’s cancellation of My Name Is Rachel Corrie in 2006. Yes, ten years ago, and I keep saying things are thawing. Not in the belly of the beast. What an insult and rebuke to Palestinian artists. More to come.

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