The year 1986 was the centenary of the historic May Day struggle in Chicago. More than anything else, it was this struggle that normalized the idea of the eight-hour working day with the slogan, ‘Eight hours for work. Eight hours for rest. Eight hours for what we will’.
Trade unions all over the world were gearing up to observe the centenary, so also CITU. Janam decided to do a play to commemorate this occasion and to take the legacy of May Day to workers. Safdar wrote a play called Mai Divas Ki Kahani (‘The Saga of May Day’).
It dramatized three historic moments: the trial of the May Day martyrs in Chicago in 1886; the 1905 parade in Russia, based on Brecht’s May Day scene from The Mother; and May Day in Nazi Germany.
While the play was successful, it was hard to do – not for any other reason but simply because Janam didn’t have enough actors available, even though it was written such that it could be done with only six actors. Safdar sought to compensate for the lack of actors with innovative use of properties, including masks.
Mai Divas is probably one of Janam’s most visually interesting street plays, using nearly ninety different pieces of properties in an intricate choreography of who picks up what object from where in the circle, and keeps it down where. And workers watched the play with great interest, even though it told stories from long ago, and had characters with names unfamiliar to Indian workers. What connected, however, was the shared experience of exploitation and the struggle against it.
A couple of years later, in 1988, a Dutch theatre scholar, Eugene van Erven, visited India. He sought out Safdar and the two became friends. Eugene van Erven’s interview with Safdar (reproduced in Theatre of the Streets) is an invaluable resource for the street theatre activists and historians. Safdar invited him to the May Day performances that Janam did that year, at dawn, at the Swatantra Bharat Mill in West Delhi. Eugene van Erven took some beautiful photos of the performance, including the one below, where you see Safdar speaking before the performance.
I sometimes think that this photograph, with all the posters and the notices on blackboards, is itself source material for labour historians!
Courtesy: https://sudu26.substack.com