Bharat Mata | SabrangIndia News Related to Human Rights Fri, 02 Aug 2019 06:40:37 +0000 en-US hourly 1 https://wordpress.org/?v=6.2.2 https://sabrangindia.in/wp-content/uploads/2023/06/Favicon_0.png Bharat Mata | SabrangIndia 32 32 Hindu and Muslim Communalism https://sabrangindia.in/hindu-and-muslim-communalism/ Fri, 02 Aug 2019 06:40:37 +0000 http://localhost/sabrangv4/2019/08/02/hindu-and-muslim-communalism/ Excerpts from ‘Who is Bharat Mata?’ Hindu and Muslim Communalism1 (From Selected Works of Jawaharlal Nehru: Volume Six) With Independence Day right around the corner, the Indian Cultural Forum will be doing a series on the ideas that built India. From national movements to regional resistances, there have been multiple ideologies and leaders who’ve shaped the country’s […]

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Excerpts from ‘Who is Bharat Mata?’

Hindu and Muslim Communalism1
(From Selected Works of Jawaharlal Nehru: Volume Six)

With Independence Day right around the corner, the Indian Cultural Forum will be doing a series on the ideas that built India. From national movements to regional resistances, there have been multiple ideologies and leaders who’ve shaped the country’s desire for sovereignty and the post-Independence period. In the coming weeks we will attempt to bring together writing on many of these leaders and what legacies they have left us. As Independence Day approaches there will be a singular and deafening narrative built on hyper-nationalism. Instead, ICF will be publishing the many ideas, some contrary to each other, that actually lead to the formation of a free nation. 

‘Who is Bharat Mata, whose victory you wish?’ asked Jawaharlal Nehru—a leading light of the Indian freedom movement who would become the country’s first prime minister—at a public gathering in 1936. And then he explained: the mountains and rivers, forests and fields were of course dear to everyone, but what counted ultimately were ‘the people of India…spread out all over this vast land. Bharat Mata, Mother India, [is] essentially these millions of people, and victory to her [is] victory to these people.’

Edited by Purushottam Agrawal, ”’Who is Bharat Mata?’: On History, Culture and the Idea of India” is a collection of writings and speeches by and on Nehru. It shows us the mind—the ideology, born of experience, observation and deep study—behind Nehru’s democratic and inclusive idea of India. It is a book of particular relevance at a time when “nationalism” and the slogan “Bharat Mata ki Jai” are being used to construct a militant and purely emotional idea of India that excludes millions of residents and citizens. The following is an excerpt from the chapter “The Idea and the Making of India”.

…It must be remembered that the communalism of a majority community must of necessity bear a closer resemblance to nationalism than the communalism of a minority group. One of the best tests of its true nature is what relation it bears to the national struggle. If it is politically reactionary or lays stress on communal problems rather than national ones then it is obviously anti-national.

The Simon Commission,2 as is well known, met with a widespread and almost unanimous boycott in India. Bhai Parmanandji,3 in his recent presidential address at Ajmer, says that this boycott was unfortunate for the Hindus, and he approvingly mentions that the Punjab Hindus (probably under his guidance) cooperated with the Commission. Thus Bhaiji is of opinion that, whatever the national aspect of the question might have been, it was desirable for the Hindus to cooperate with the British Government in order to gain some communal advantages. This is obviously an anti-national attitude. Even from the narrow communal point of view it is difficult to see its wisdom, or communal advantages can only be given at the expense of another community, and when both seek the favours of the ruling power, there is little chance of obtaining even a superficial advantage.

Bhaiji’s argument, repeatedly stated, is that the British Government is so strongly entrenched in India that it cannot be shaken by any popular movement and therefore it is folly to try to do so. The only alternative is to seek its favours. That is an argument which I can only characterise, with all respect to him, as wholly unworthy of any people however fallen they might be.

Bhaiji’s view is that the cry of Hindu-Muslim unity is a false cry and a wrong ideal to aim at because the power of gift is in the hands of the government. Granting this power of gift, every cry other than one of seeking the government’s favours is futile. And if the possibility of Hindu-Muslim cooperation and collaboration is ruled out,4 nationalism is also ruled out in the country-wide sense of the word. The inevitable consequence, and Bhaiji accepts this, is what the calls “Hindu nationalism”, which is but another name for Hindu communalism. What is the way to this? Cooperation with British imperialism. “I feel an impulse within me,” says Bhaiji in his presidential address, “that the Hindus would willingly cooperate with Great Britain if their status and responsible position as the premier community in India is recognised in the political institutions of new India.”

This attitude of trying to combine with the ruling power against another community or group is the natural and only policy which communalism can adopt. It fits in of course entirely with the wishes of the ruling power which can then play off one group against another. It was the policy which was adopted by the Muslim communalists with some apparent temporary advantages to themselves. It is the policy which the Hindu Mahasabha partly favoured from its earliest days but could not adopt wholeheartedly because of the pressure of nationalist Hindus, and which its leaders now seem to have definitely adopted.

Dr Moonje,5 presiding over the C.P. Hindu Conference on May 17, 1933 made it clear that “the Mahasabha never had any faith in the kind of noncooperation which Mahatma Gandhi has been preaching and practising. It believes in the eternal Sanatan Law of stimulus and response, namely, responsive cooperation. The Mahasabha holds that whatever may be the constitution of the legislatures, they should never be boycotted.” Dr. Moonje is an authority on Sanatan Law, but I hope it does not lay down that the response to a kick should be grovelling at the feet of him who kicks. This speech was made when a widespread national struggle was going on and there was unprecedented repression under the ordinance regime. I shall not discuss here the wisdom of stating, long before the British-made constitution had taken shape, that whatever happens they would work it. Was this not an invitation to the government to ignore the Mahasabha for in any event it would accept the new dispensation?

Dr Moonje himself went to the Round Table Conference in 1930, at the height of the civil disobedience movement, though in justice to him it must be stated that he had declared that he went in his individual capacity. Subsequently of course the Mahasabha took full part in the London conferences and committees.

Of the part taken by the Mahasabha representatives in these deliberations, especially by those from the Punjab and Sind, I wish only to say that it was a most painful one. Politically it was most reactionary and efforts were made to increase the reserved powers and safeguards of the British Government or the Governors in order to prevent the Muslim majorities in certain provinces from exercising effective power. The identical policy and argument of the Muslim communalists in regard to the whole of India were repeated by Hindu communalists in regard to certain provinces. But of course the special powers of Governors were not going to be confined to some provinces. They would inevitably apply to all the provinces. The reason for this reactionary attitude in both the cases was of course fear of the majority. Whatever the reason, this played entirely into the hands of the British Government.
[…]
Reality and Myth6

(From Selected Works of Jawaharlal Nehru: Volume Six)

Groups of upper class people try to cover up their own class interests by making it appear that they stand for the communal demands of religious minorities or majorities.

A critical examination of the various communal demands put forward on behalf of Hindus, Muslims or others reveals that they have nothing to do with the masses. At the most they deal with some jobs for a few of the unemployed intellectuals but it is obvious that the problem even of the unemployed middle class intellectuals cannot be solved by a redistribution of state jobs. There are far too many unemployed persons of the middle class to be absorbed in state or other services and their number is growing at a rapid pace. So far as the masses are concerned there is absolutely no reference to them or to their wants in the numerous demands put forward by communal organizations. Apparently the communalists do not consider them as worthy of attention. What is there, in the various communal formulae, in regard to the distress of the agriculturists, their rent or revenue or the staggering burden of debt that crushes them? Or in regard to the factory or railway or other workers who have to face continuous cuts in wages and a vanishing standard of living? Or the lower middle classes who, for want of employment and work, are sinking in the slough of despair? Heated arguments take place about seats in councils and separate and joint electorates and the separation of provinces which can affect or interest only a few. Is the starving peasant likely to be interested in this when hunger gnaws his stomach? But our communal friends take good care to avoid these real issues, for a solution of them might affect their own interests, and they try to divert people’s attention to entirely unreal and, from the mass point of view, trivial matters.

Communalism is essentially a hunt for favours from a third party—the ruling power. The communalist can only think in terms of a continuation of foreign domination and he tries to make the best of it for his own particular group. Delete the foreign power and the communal arguments and demands fall to the ground. Both the foreign power and the communalists, as representing some upper class groups, want no essential change of the political and economic structure; both are interested in the preservation and augmentation of their vested interests. Because of this, both cannot tackle the real economic problems which confront the country, for a solution of these would upset the present social structure and devest the vested interests. For both, this ostrichlike policy of ignoring real issues is bound to end in disaster. Facts and economic forces are more powerful than governments and empires and can only be ignored at peril.

Communalism thus becomes another name for political and social reaction and the British Government, being the citadel of this reaction in India, naturally throws its sheltering wings over a useful ally. Many a false trail is drawn to confuse the issue; we are told of Islamic culture and Hindu culture, of religion and old custom, of ancient glories and the like. But behind all this lies political and social reaction, and communalism must therefore be fought on all fronts and given no quarter. Because the inward nature of communalism has not been sufficiently realised, it has often sailed under false colours and taken in many an unwary person. It is an undoubted fact that many a Congressman has almost unconsciously partly succumbed to it and tried to reconcile his nationalism with this narrow and reactionary creed. A real appreciation of its true nature would demonstrate that there can be no common ground between the two. They belong to different species. It is time that Congressmen and others who have flirted with Hindu or Muslim or Sikh or any other communalism should understand this position and make their choice. No one can have it both ways, and the choice lies between political and social progress and stark reaction. An association with any form of communalism means the strengthening of the forces- of reaction and of British imperialism in India; it means opposition to social and economic changes and a toleration of the present terrible distress of our people; it means a blind ignoring of world forces and events.

What are communal organizations? They are not religious although they confine themselves to religious groups and exploit the name of religion. They are not cultural and have done nothing for culture although they talk bravely of a past culture. They are not ethical or moral groups for their teachings are singularly devoid of all ethics and morality. They are certainly not economic groupings for there is no economic link binding their members and they have no shadow of an economic programme. Some of them claim not to be political even. What then are they?
As a matter of fact they function politically and their demands are political, but calling themselves non-political, they avoid the real issues and only succeed in obstructing the path of others.

1. 27 November 1933. The Tribune, 30 November 1933. Reprinted in Recent Essays and Writings, (Allahabad, 1934), 47–61.
2. The Simon Commission was a group of 7 British MPs sent to India in 1928 to study constitutional reforms and make recommendations to the government.
3. Bhai Parmanand was an Indian nationalist and a prominent leader of the Hindu Mahasabha.
4. Bhai Parmanand stated that “we have reached a stage when the Congress with its theory of Swaraj through Hindu-Moslem unity and civil disobedience goes entirely out of the field.”
5. Another Mahasabha leader
6. Statement to the press, Allahabad, 5 January 1934. The Tribune, 8 January 1934. Reprinted in Recent Essays and Writings, (Allahabad, 1934), 72-81.

Courtesy: Indian Cultural Forum


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Bharat Mata and her unruly daughters https://sabrangindia.in/bharat-mata-and-her-unruly-daughters/ Mon, 17 Jul 2017 07:34:57 +0000 http://localhost/sabrangv4/2017/07/17/bharat-mata-and-her-unruly-daughters/ Bharat Mata’s daughter? But the Hindutvavadi motherland produces only sons – Hindu, savarna sons – to protect their mother’s ever fragile honour. Let us begin these reflections with a moment from Nisha Pahuja’s disturbing film the World Before Her, which tracks two young women – Ruhi, a beauty pageant contestant and Prachi, a trainer with the […]

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Bharat Mata’s daughter? But the Hindutvavadi motherland produces only sons – Hindu, savarna sons – to protect their mother’s ever fragile honour.

Let us begin these reflections with a moment from Nisha Pahuja’s disturbing film the World Before Her, which tracks two young women – Ruhi, a beauty pageant contestant and Prachi, a trainer with the Durga Vahini, women’s wing of the Vishwa Hindu Parishad.

While Ruhi and her fellow participants emerge as conventional and pallid, Prachi is fierce and questioning, independent minded. But towards the end of the film, you realize that for both women (and not for Ruhi alone), this period of training was only a small window that gave them a brief glimpse of broader horizons. It was only a brief moment of excitement and hope, and what seemed like freedom, before real life – the real lives of real women – closed in on them.

Throughout the film, Prachi has been telling the film-maker that she will never get married, she will live her life as a Hindutva activist. She emphatically rejects the ordinary life of a wife and mother. But towards the end, her father declares quite explicitly that this is out of the question. She can never be a full time activist. Of course she must get married. She has a womb, do men have wombs? Her responsibility then, is to bring up children. Initially in this sequence, Prachi argues against him vehemently, verges on the insolent, but gradually she falls silent. Her expression, still rebellious, but devastated, resigned, signals to us her recognition that the daughter of the Hindu nation is only in training to be a mother. That is the highest ambition she can have.

Provided she has been born into a savarna family. Provided she follows the rules.

So who are the unruly daughters then? The recalcitrant, the wayward ones? This piece is an idiosyncratic journey across the landscape of potential and actual resistances to the Hindutvavaadi project, resistances that emerge from within, that disrupt the self-fashioning of what has come to be called Hinduism. It goes without saying that this journey is merely a bird’s eye view of a dense, complex landscape of resistances – we are just about skimming the tops of trees. The stories here are not exceptions, make no mistake about that.

The Mother as Map
Before we acknowledge the daughters, we must begin with the RSS Bharat Mata, always with the RSS bhagwa jhanda in her hand, never ever shown holding the national tricolour, but invoked nevertheless to violently challenge the patriotism of others.  Behind her, a map of Akhand Bharat, stretching across Afghanistan, Myanmar, Tibet and of course, Pakistan and Bangladesh.

And yet, when it comes to maps depicting the current political boundaries of their Bharat Mata (as opposed to their delusional fantasies), the RSS can end up being…so anti-national. In 2015, the RSS mouthpiece, Organiser, used a map of SAARC countries in an article “Quest for Reintegrating SAARC” where parts of what India calls ‘Pakistan Occupied Kashmir’ were shown as part of Pakistan. Tendering a written apology, the Editor reiterated Organizer‘s commitment to the “unity and integrity of India” and explained that the issue had inadvertently used
 

a map of South Asia obtained from the web source that did not show certain parts of Pakistan occupied Jammu & Kashmir as Indian territory…
 

Interesting. A web source with a map of South Asia, freely available to the whole world, shows Indian territories ‘all wrong’, and poor Organizer made a mistake in using that map. The whole world in other words, sees one kind of map,  while Indians living in India are protected from the world’s opinions of the borders of China, Pakistan and India. Magazines that depict the boundaries of India ‘wrongly’ are banned from entry or the map covered up. In such an incident with The Economist (November 19, 2011), the map of South Asia accompanying an article on water resources in the region (“Unquenchable Thirst”), was covered over by the government of India. But defiantly, The Economist added the following statement:
 

Missing map? Sadly, India censors maps that show the current effective border, insisting instead that only its full territorial claims be shown. It is more intolerant on this issue than either China or Pakistan. Indian readers will therefore probably be deprived of the map in this briefing. Unlike their government, we think our Indian readers can face political reality. Those who want to see an accurate depiction of the various territorial claims can do so using our interactive map at Economist.com/asianborders.
 

So what if you can’t control facts and images circulating globally? You can control your own citizens, especially if you are the world’s largest democracy. Earlier governments only waxed indignant over the world’s ignorance, this RSS-backed regime in May 2016 came right out with a proposal for a law that would punish those who wrongly depicted the borders of India, with imprisonment and fine. The draft Bill will also ensure that online platforms like Google will have to apply for a licence to run Google Maps or Google Earth in India. Let’s see where this goes – I predict that apart from harassing and arresting people who protest Hindutva politics, this law will leave the CEO of Google severely alone.

Good mother/Bad Mother
Returning to Bharat Mata then, fair complexioned, saffron flag-bearing, ready to bear a thousand sons. Several writers have demonstrated how this image of the mother, far from being eternal, is constructed in the 19th century by the political project of Hindutva; and how this mother can only consider to be her sons, people defined by Hindutva as ‘Hindus’, never Muslims. 

This mother is imagined as a body:
 

Do you see this map? It is not a map but the portrait of Bharat Mata: its cities and mountains rivers and jungles form her physical body. All her children are her nerves, large and small…Concentrate on Bharat as a living mother, worship her with nine-fold bhakti.
(Aurobindo Ghosh, cited by Shoaib Daniyal)
 

If the Nation is a body – the body of one’s own mother – then it precedes its children; or is constituted by its children in Aurobindo’s vision (the “nerves, large and small”). From this image follow the implied hierarchies of birth and origin among the children (large and small, older brother and younger brother, sons and daughters). From this follows the idea that the children cannot leave the mother, for that implies amputation, the dismembering of the maternal body, an act that none can survive – neither the mother nor the children.

This mother is the mother who is the nominal head of the patriarchal household, whose power flows entirely from her maintaining the rules of patriarchy, blood purity, family hierarchies. She acts as the agent of her son or sons as long as she performs these functions.  But this RSS-constructed, savarna, North Indian, Aryan vision of the mother is not the only one on this subcontinent. Sadan Jha, for instance, has drawn our attention to the ascetic Banga Mata of Abanindranath Tagore, imagined at the moment of the partition of Bengal.

Calm, reflective, a saffron clad ascetic, inward looking. She bears a book, sheaves of paddy, a piece of cloth (symbolizing the swadeshi movement) and a garland in her multiple hands. A far cry from the monochromatic RSS Bharat Mata who carries but the saffron flag, whose only passion is for Hindutva, not the Indian nation.

Then there is this mother, Kerala Maatavu, that J Devika has brought to our attention:

Mother Kerala, from a women’s magazine Shreemati (1935) is not wan and ascetic like Abanindranath’s Banga Mata – she is languorous, dreamy, looking away from the nation, away from her sons, out across the Arabian Sea with what Devika characterizes as a “wistful, Westward gaze“.

This mother’s gaze acknowledges that seas and oceans do not separate land masses, but link and connect them through trade and cultural interchanges, producing what Hoskote and Trojanow term Confluences. Kerala has for centuries had trade links with the lands across the Arabian sea, and its cosmopolitan culture long predates any 20th century ideas of cosmopolitanism emanating from that Other West – Europe. Kerala’s ties to the lands across the Arabian Sea are still stronger (in Malayalam, in its cuisines, in the Malayali imagination) than its identification with a myopic, ignorant, Hindi region-centric Hindutvavaad, which understands nothing of Kerala’s history and rich heterogeneous pasts. Typically, to take just one instance, BJP President Amit Shah termed Onam as Vamana Jayanti, turning it into a festival celebrating the Brahmin Vamana, when in fact it celebrates the righteous Asura king Mahabali, tricked by Vamana into giving up his kingdom. (More on Mahabali in a minute).

The Hindutva or Hindu nationalist project is predicated on the construction of a North Indian savarna-directed homogenization of ‘Hinduism’ – which is after all only a relatively modern late 19th C label for a wildly heterogeneous set of practices across this land-mass that came to be called India, practices that continually disrupt the Hindutva project from within.

There are other, more ancient visions of female power in this land than the RSS Bharat Mata – black goddesses who predate the patriarchy normalized over centuries by Aryan migrations from the north – potent, mysterious forces that offered their devotees annihilation, blood and rage. One historical reading of such black goddesses of the southern part of the Indian sub-continent is offered by anthropologist Lynn Gatwood. In her book Devi and the Spouse Goddess, Gatwood makes the argument that the wild, independent, sexual tribal goddesses of pre-Vedic times were domesticated and tamed by Brahminical priestly classes in the process of pacification of the non-Aryan peoples of the South. They were domesticated by being “spousified” – they were installed as the wives of Aryan male gods. In addition we see the domestication of other kinds of divinities with complex histories of formation – also black, some ancient forest gods, many non-human – such as Ganesha, Ayyappa, Skanda/Subramanian – they become the children of these newly formed conjugal couples. The libidinal excess that that cannot be contained in these narratives escapes into myths such as the birth of Ayyappa from Shiva and Vishnu (in the temporary form of Mohini) – born from Vishnu’s thigh.
However, the shrines to these deities continue to have an independent presence in the cosmological landscape, and attract large numbers of worshipers. The wild undomesticated goddesses are still present as living principles – Ellaiyamman, for example; and Sheetala Mata, who protects children from small pox.

The images below show two images of Ellaiyamman, one black, fierce, with blood-red lips; the other, domesticated, fair  skinned, Aryan featured. Both images are taken from the same site that celebrates the goddess, and it seems Mariyamman or Kaumari, another village goddess, has also been incorporated into this deity.



As Vidya Dehejia puts it:
 

She is encountered in manifold guises. In a simple wooden shrine in the town of Chhatradi in the Himalayan foothills she stands as a glowing brass image, smooth and sensuous, adorned with jewels and silks. On a hilltop near Guwahati…worshipers invoke her presence in the simple form of a cleft in a natural boulder, filled with water from an underground spring…She is a bizarre fiendish figure riding a wild ass with a third eye in its flank in Tibet; in southern Madurai she is a dark stone figure concealed beneath crown, jewels, silks and flowers. And in the numerous villages of the Indian subcontinent, she is little more than a vermilion smeared stone or mound of earth.
(“Encountering Devi” in Devi. The Great Goddess).
 


Image of Devi worshipped under a tree in the Brajeshwari Devi temple, Kangra.

I have written elsewhere of the contemporary dancer Chandralekha’s insistence on disrupting the fertility/maternality dyad. For her, the fecundity principle is a mysterious force, over time being sought to be domesticated into the figure of the “Mother goddess”.  Chandralekha demands:

“On what basis do you call them mothers, these dynamic figures of fierce power who look so calm and confident on the bull, lion, tiger; who wear weapons as ornaments in their hair, who are not at all maternal?”

(“Who are these age-old female figures?” The Economic Times, March 8, 1992)


Fertility goddess from the Indus Valley Civilization

Unruly daughters of unruly mothers?
I use ‘daughters’ in the sense of secondary to the patriarchal family but necessary to its continuity; secondary to the project of Brahminism and Hindutva, the clear convergence between the two of which is emerging more clearly in this phase, with the sidelining of Savarkar’s modernist and rationalist Hindutva project, which was about consolidating and militarizing the Hindu community against Muslims (and Christians).

These ‘daughters’ are necessary in order to produce a certain Brahminical Hindu identity by being the outside, that constitutive outside that sets up the Hindutvavaadi identity. For the RSS Bharat Mata, all others than her savarna sons can only be expendable daughters.

By ‘daughters’ then, I mean the adivasis – and I use this term in its literal sense as well, ‘first inhabitants’ – to refer to both tribal peoples and Dalit Bahujan.

Let us consider some of the most fascinating revisionist accounts of popular Hindu festivals from the perspective of the Adivasi-Dalit-Bahujan Daughters of the Nation. Of course, they are not really revisionist, they simply bring to the surface older histories that have long simmered below the skin of mainstream savarna Hindu society, and are now breaking the surface of Hindutvavadi narratives from within.

Ambedkarite intellectual Kanwal Bharati reminds us that the myths behind almost all Hindu festivals involve the defeat of Asuras by Devas – whether Dussehra, Diwali, Onam or Holi. These Devas, Bharati identifies as Brahmins, and the defeat of the Asuras is the defeat of anti-Brahminical and pre-Brahminical ways of life and religious practices – in forests, and outside centres of established kingdoms. Very often this defeat is by trickery – (Mahabali by Vamana, Ekalavya by Dronacharya) – and by the co-option of willing elements in these non-Brahmin societies – Vibheeshana, Prahlada.

Bharati retells the story of of Holi to illustrate this claim. The pre-Hindu spring festival of Holi has a later Hindu mythology that draws it into the Aryan configuration of a perennial Deva-Asura confrontation. Prahlada, the pious son of the Asura Hiranyakashipu (himself pious, but too arrogant for the gods), is sought to be killed by his own father in various ways because he has become a devotee of Vishnu. One of the ways is getting Hiranyakashipu’s sister, Holika, Prahlada’s aunt, to sit with her nephew in her lap in the sacrificial fire, for she has a boon that fire will not burn her. Her boon fails, Bhakt Prahlad survives  by chanting Vishnu’s name, and Hiranyakashipu is slain  by Vishnu in the form of Narasimha. On Holi, effigies of Holika are burnt to symbolize this defeat.
But what was it a defeat of? In Kanwal Bharati’s telling, Prahlad turns to the Brahminincal religion (Sanatan Dharma) while Hiranyakashipu and Holika continued to fight Brahminism.

A similar reversal of narrative is effected by MB Manoj, who says that reading Onam through the eyes of Dalits, the festival loses its natural association with the Malayali identity. In fact, in the words of Manoj
 

Onam is a black day for Dalits, a day of murder, even as it is a day of happiness for the upper castes.
 

From this perspective, the coming of Onam also marks the coming of the caste system and slavery to Kerala. Manoj talks about Dalit folk songs that criticise the upper-caste nature of Onam and its vegetarianism, as well as songs that criticise the temple entry proclamation of Kerala. There is a realisation among Dalits, says Manoj, that Onam is a celebration of the murder of their king by the upper castes. As part of this realisation, Dalit movements, and especially the Indian Dalit Federation, have observed hunger strikes during the Onam festival. Manoj remembers participating in one of these hunger strikes in Idukki town in Kerala during his college days. Manoj stresses that most Dalits, tribals and backward castes eat meat during Onam and their cultures fall outside the cultural milieu of Onam. Therefore, for the lower-castes, Onam is neither a cultural nor a national festival, but a festival of the upper-castes.

The presence of powerful women among these Adivasi-Dalit-Bahujan communities who must be killed, maimed, humiliated, has of course, not been unnoticed by feminists from Iravati Karve to Nabaneeta Deb Sen and Uma Chakravarty. Surpanakha for example, has been read as a woman unashamed of her own sexual desire, who was never taught that she must be passive and submissive, and must learn that lesson brutally by having her nose cut off. Uma Chakravarty in a fascinating essay, reads Valmiki’s Ramayana as a reconstruction of multiple elements of extant stories across South and South East Asia into a particular narrative whose aim is to establish a new norm over the variegated practices of the land – the Aryan, patriarchal, patrilineal order of sexuality and property. Thus, the Southern people of Lanka, where women were freer, have to be subjugated and taught proper codes of sexual conduct, the people of the forest (the vanaras) are pacified into the Aryan king’s loyal army, and Sita is instructed in the dangers that lie in wait upon crossing the limits set by the Lakshman Rekha.

( “The Development of the Sita Myth: A Case Study of Women in Myth
and Literature”, Samya Shakti. 1, July 1983)

And as Kanwal Bharati reminds us, the young princes of Ayodhya while in exile, travel deep into forests establishing, by armed force, Aryan Brahminical rule over the original inhabitants – Asuras of various kinds who are killed for disturbing the austerities and ceremonies that sages insist on performing in their forests.

Or take the story of Mahishasura and Durga, which at one level, is yet another account of the defeat of Adivasis (in the broad sense in which I am using it here), by Brahmins using trickery. But a feminist reading produces another level of complexity.


Mahishasura Mardini – the slaying of Mahishasura by Durga

While the defeat of the demon Mahishasur by Durga is the occasion for one of the most important Hindu festivals, Durga Puja, Dalit Bahujan students of Jawaharlal Nehru University had been celebrating Mahishasur Puja for about five years before the big attack was launched on JNU for being anti-national in 2016. Indeed, the “demon worship” too at that point became one more factor in the ‘demonization’ of JNU as a space of incomprehensibly anti-civilizational practices. This charge reached Parliament, where the Minister for Education emotionally read out the charge of demon worship from a police report.

The journal, Forward Press had for some years been reporting on Mahishasur Puja  in Eastern India by adivasis, and publishing images of Mahishasura, facing police raids and ultimately closing down its print version. The fact is that Mahishasura has for long been worshiped by Santhals and other tribal people across the swathe of the tribal belt in Central India.


Mahishasur being worshipped in Purulia, Bengal

The Asur tribe of Jharkhand of over 10,000 members is classified as a “Particularly Vulnerable Tribal Group” by the Indian government, and their language—spoken by some 7,000 individuals—is described by UNESCO as “definitely endangered.”
 

The Asurs, who claim ancestry from Mahishasura himself, believe that the Devi Mahatmya story of the Markandeya Purana, which describes the birth of Durga and her nine-day long battle with Mahishasura, is biased. According to the Asurs, the birth of Durga from the conjoined powers of Brahma, Vishnu and Shiva was a “crooked conspiracy” hatched because their king Mahishasura was blessed with a boon by Brahma that no man or god could kill him. Hence, the more traditionally-inclined members of Asurs sometimes even choose to completely isolate themselves and mourn Mahishasura’s death during the period of the Durga Puja.
 

The Santhals of Bengal too, have their own story about Mahishasura. This is how Santhal musical genius Bajar Hembrom described the origins and meaning of the Dashoi festival, which Santhals observe on the last day of Durga Puja, to Kunal Deb (translated from Bengali by Madhusree Mukerjee).

It is clear that the mythology is a deep sorrowful acknowledgement of the dispossession of adivasis from all that was once theirs – jal, jangal and jameen.
 

A long, long time ago there was the Har kingdom on earth. That is, a Santhal Raj. Our king was Adur. He was also called Raja Debi. He was as famed for his governance–for the way he looked after his people–as for his heroism. He could fight a tiger with his bare hands; he could alone stop the rampages of crazed elephants. His soldiers too were very fierce. Nobody could beat them in battle. Raja Indra had been crushed many times in battle against him.

But Indra too was not someone to give up. This time, in order to defeat Raja Debi and seize the Santal kingdom, he resorted to deceit and trickery. He sent the dancer Durga from his heavenly court to earth…(and) Durga had no difficulty in seducing Raja Debi with her beauty and dance.

Not long after Raja Debi got married. His queen was Durga. She started sending news to Indra about when the raja slept, when he was unarmed, when festivals preoccupied his soldiers and commanders, and so on. Indra linked these snippets of intelligence with one another to formulate a plan. He decided the day and time, and one day he imprisoned Raja Adur in a sudden attack. The soldiers were taken by surprise and could not recover from that assault. Debi’s kingdom was easily seized. Our Santal ancestors lost their king and their kingdom. Everyone scattered where they could.

The trusted guards and friends of the king started to look for their beloved monarch. Disguised as women, their weapons concealed, they wandered and danced in villages and towns, in many places, always searching. If they hear the faintest reply to their mournful song, from the imprisoned raja, out will come the weapons from under the feminine clothes of the warriors. They will fight and recover their lost kingdom. And when Raja Adur Debi returns, they will get back their Santal Raj, their lost wealth, their forests, their rivers, everything.

The Dashoi dance is on the last day of Durga Puja. You worship Durga. We search for, we still search for, our lost Raja Debi. You call him Asur.”
 

The real disdain for Hindu folk tales, oral ballads and other practices of many, many communities of believing Hindus is shown by the political face of the Hindutvavaadi project. Hindutvavaad is shamed and embarrassed by the glorious pagan aspects of Hinduism, and the refusal of Hindu practices to be tamed into the pallid, rigid North Indian upper caste version that is the basis of the Hindu nationalist project.

Now, the role of Durga here as a mere ‘seductress’ makes the story more complicated. Who is this Durga? Is this the same deity worshipped by savarna Hindus? Perhaps not.

A feminist reading must take into account two elements – the Durga/Kali image as well as the prostitute image.

On the first aspect, Mrinal Pande writes:

It is instructive that neither side denies that Durga is a powerful symbol of non-conformism. She is non-submissive – she will not subordinate herself to a male deity, and she also excels at what is deemed an exclusive male occupation, fighting in battle. What is also noteworthy is that for all her heroic exploits described in both local myths and classics, Durga never lends her power to the male gods of the mainstream pantheon. It is they who lend her their arms like the chakra (Vishnu), trident (Shiva), bow and arrow (Vayu) and so on. They give up their inner strength or fire to create her, and in doing so, surrender their potency to her…

Durga’s historical origins are embedded firmly among the indigenous pre-Aryan cultures of India. The Vedic tradition has no goddess similar to Durga, the warrior goddess. The early Puranic references to Durga from Mahabharata’s Virat Parva (the fourth book of the epic) to the later Harivansh Purana and Vishnu Purana, also associate her with the Sabara tribals residing among the Vindhya mountains. This was initially an intractable area described as awfully hard to access – Durgen gamyate, hence the name Durga. The mountainous region with thick forests and inhabited by wild tribes and animals, was peripheral to civilised society.

It is here that the concept of Vindhyavasini Durga was born. As Kaushiki, or shedder of the chrysalis, this virgin goddess became the mother lode in time, for various powerful goddesses in the mainstream and various substrata of Indian society…
…this extremely powerful, militant armed goddess arrived as Durga, the mainstream Hindu goddess of peasants and traders, only during the medieval period. She brought with her her non-Aryan habits from her tribal background and continued to disdainfully fob off efforts by divine and demon male suitors to woo her, and also to enjoy offerings of liquor (madya), meat (maans) and blood (rakt) made in her honour.

Multiple myths were created in time and began to be circulated about Durga by a string of Puranas. In Vishnu Purana, the mainstream male god Vishnu beseeches her out of the mountains and enlists her aid to kill a demon king threatening an infant Krishna. In another text, Devi Mahatmya, her help is enlisted by another male god, Brahma, who is helping Vishnu kill two demons. Durga ultimately kills the demons as Vishnu sleeps. The Skanda Purana shows that Durga is none other than Parvati, a mainstream goddess. It says that when a buffalo demon named Durga threatened the world, Shiva asked his wife Parvati – mother of four (Lakshmi, Ganesh, Kartikeya and Saraswati) – to become a warrior goddess and slay the buffalo demon. [T]he myth says Parvati killed the demon as Durga. After braving a cosmic crisis and slaying the enemy, she retained this name along with her newly-rediscovered militancy and many-armed form.

The first images of Durga – armed to her teeth – slaying Mahishasur, a semi-male buffalo, begin to be visible throughout India around the fourth century CE. Her festival held at harvest time, the precursor to today’s Durga Puja, also associated her powers of fertility with not so much the womb, but vegetation (as Shakabhari). Motherhood of the genetic sort was not her priority and as an armed warrior and protector of men and women, it became entirely appropriate that this combative Durga be kept energised with blood offerings and wine as vital nourishment for her body and soul. Thus, in many respects, the Durga of the Puranas since the very beginning negates the misty-eyed and maternally inclined Mata Rani model being defended so fiercely by bhakts today.
 

So Durga never gets fully domesticated as Shiva’s wife Parvati, retaining these fierce and unpredictable, untameable elements.

The second element, in the Adivasi telling that must recover Adivasi masculinity from its defeat by Brahminism, is that of Durga as a mere agent of Brahminism, a “seductress”, a prostitute, a spy. From Mrinal Pande’s account, it is clear that that the Durga of Adivasi myth refers to the general principle of female power rather than to the specific goddess worshipped as Durga.

But even this Durga was reclaimed by another set of unruly daughters, sex workers of today.

It was indignantly reported by the Minister for Education in Parliament that one of the posters for Mahishasura Puja in JNU had termed Durga as a sex worker or prostitute. (We do not know if in fact such posters exist. The Minister read out the allegation from a written complaint by the ABVP).

Be that as it may, in response, a sex workers’ union wrote the following letter to JNU students:
 

Dear Students of JNU,
Salute! Jai Bhim! Laal salam! We will win this war against sedition! March 3rd, International Sex Workers Rights Day, Zindabad!

We write from the sex worker’s rights movement to hail your struggle and to add to the discourse you have sparked. We would like to discuss why using the term sex worker in the alleged pamphlet in JNU on Mahishasura Martydom Day is a concept fraught with the Whore Stigma. The use of the politically correct sex worker instead of the commonly used `prostitute’ does not take away from the fact that it is used to depict an insalubrious deed. The use of this term has only led to more misunderstandings of the term itself.

Sex worker is the term used by the sex worker’s rights movement in order to claim dignity to the work adults do consensually by providing sexual services for money. The sex workers use this term to give dignity to those that exchange sexual services for money but the use here is to supposedly strip the `goddess’ in this instance, of any dignity. The term since then has taken a life of its own. From a politically correct term it is now being used to describe anti-nationals, anti-goddesses even anti- patriarchy! But the thinly veiled contempt for the sex worker is huge in every utterance, from the Hindu Goddess Durga to the `anti-national’ women students in JNU…

…The sex worker rights movement would like to bring to your notice the fact that it is the randi [whore] stigma that pushes sex workers outside the rights framework, effectively cutting them off from privileges and rights supposedly accorded to all citizens irrespective of what they do for a living… 

We also demand Azadi!

Azadi from discrimination, azadi from the violence of a judgemental attitude, azadi from the multiplicity of injustice meted out to sex works, Azadi from the loose use of the politically correct but deeply stigmatised use of the term sex worker.Sex workers demand Azadi from ‘Goddess’ Durga.

What the recovery of older stories that mainstream Hindu society remained unaware of, tells us, is that the domestication of the goddess and the pacification of non-Aryan peoples was never completely successful –  the project of homogenizing Hinduism and subjugating pre-Aryan deities remains an incomplete project to this day. The outside keeps fracturing the boundaries of what is sought to be termed ‘Hinduism’, and the simplistic Hindutvavaadi narratives forged in the late 19th and early 20th C, with their black and white Asuras and Devas, continually come up against the challenge posed by alternative narratives that robustly survive.

Asura kings Ravana, Hiranyakashipu and Mahabali are revered as scholars and as devout, even noble figures, by otherwise devout Hindus who worship Rama and Vishnu. In Jodhpur, the town of Mandsaur considers itself to be the birthplace of Mandodari, Ravana’s wife, and about 200 families consider themselves to be descendants of Ravana. There are two temples to Ravana here, and his effigy is never burnt on Dussehra. A merchant of Mandsaur explained to a journalist:
 

We remember Ravana for his knowledge of all the Vedas and his devotion towards Shiva. Burning his effigy is seen as a sign of disrespect towards him and so, ‘Ravana dahan’ is never done in this town,” said Ravi Ranka, a cloth merchant in Mandsaur.
 

Ravana is sought to be pacified by being enshrined as a devotee of Shiva, but the narrative of a Hindutvavaadi Ramayana is sharply disrupted nevertheless.

(Shiva of course, contains within himself multitudes, and is not quite the clean living, fair-skinned Aryan god. Nor is Krishna, the dark-skinned Yadava, who is another instance of the incorporation of pre-Aryan, more sexually free elements into Brahminical Hinduism.)

Villagers of Drongiri in the Uttaranchal Himalayas, will not worship Hanuman, for he defaced the mountain they worship by breaking off an entire side of it, when dispatched to pick the herb Sanjivani to revive Lakshman.

The women of rural Bengal who sing songs berating Rama for abandoning Seeta.

Unruly daughters all.
Into this picture of disruptions of the homogeneous Hinduism project must be brought also Pootana, a bad mother, the Asura woman who tried to kill the baby Krishna with milk from her poisoned breasts. The baby suckles her life out of her, and her body is cut into many pieces and burnt outside Gokul. While her body was burning, the fragrance of agar filled the air. Because the Lord himself had fed on her milk, she was redeemed. The good son who can bring about the salvation of his wayward or wicked mother by killing her is another fascinating recurring image – Renuka and Parashuram spring to mind. But about Pootana what is remarkable is that other texts such as the Garga Samhita and Brahma Vaivarta Purana reveal her to have been the daughter of Mahabali in a previous birth, seeking revenge for the treacherous murder of her father by Vishnu, of whom Krishna is an avatara. Such counter narratives seek to redeem Asura ‘wickedness’ and refashion Asuras as characters with more complex motivations than simply evil hating the good.

Bharat Mata in the hands of the RSS is merely a sly and deadly weapon in the armoury of Hindutva, as is the cow. When they drop off from the the saffron banner bearing their names, the mother in everyday life is the woman abandoned in Vrindavan or among the teeming millions at the Kumbh Mela by her devout and dutiful sons; and the cow that pathetic beast roaming the streets of cities eating plastic; when she dies, her devout sons will not touch her carcass, but violently compel the Dalit, that unwanted expendable daughter of Bharat Mata, to lift it out of their sight.

But this Bharat Mata is a mere cardboard cutout, and the millions of living, breathing forces that challenge her erupt from out of the space sought to be labelled Hinduism. These unruly daughters are not only the Adivasi-Dalit-Bahujan who have continually refused to be integrated into mainstream Hinduism,  but they are also the 21st C urban rebels.

There are the young women reclaiming their menstrual blood through the Happy to Bleed campaign.

The women of Pinjra Tod (Break the Cages) who struggle for a safe campus, challenge nationalism, and explicitly reject the pressure to be Bharat ki Mata.


Pinjra Tod Poster

These are just two examples of the million mutinies across this land today.

This, finally, is the image I conclude with, artist Lal Ratnakar’s  Bharat Mata – simultaneously the Mother whose proud calm gaze refutes the claims of Hindutva, and an Unruly Daughter – claiming freedom for herself  as much as for the Mother.

Or in Pinjra Tod‘s words – freedom from the Mother, freedom for the Mother
 

Ma se Aazadi, Ma ki Azadi.
 

There she stands, a dark-skinned, straight-backed, Dalit-Adivasi rural woman, accompanied by the black buffalo, not the sacred cow, claiming the Nation for unruly daughters and unruly nature.

Whether rejecting the Nation altogether or reclaiming it from the RSS Bharat Mata, these unruly daughters remind us that the Nation does not precede its people, but is shaped by them.

Based on lectures delivered at School of Women’s Studies, Jadavpur University, Kolkata (April 2016), South Asia Research Institute, Australian National University, Canberra (November 2016) and for an event organized by Academics for Democracy, Chennai (May 2017). I am grateful for feedback, suggestions and comments received at these talks.

Courtesy: Kafila.online
 

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Cultural Nationalism is Nothing but Rogue Nationalism pitting ‘Us’ against the “Other” https://sabrangindia.in/cultural-nationalism-nothing-rogue-nationalism-pitting-us-against-other/ Sat, 09 Jul 2016 07:29:16 +0000 http://localhost/sabrangv4/2016/07/09/cultural-nationalism-nothing-rogue-nationalism-pitting-us-against-other/ Image Courtesy: rangashankara.org Sadanand Menon de-constructs cultural nationalism, majoritarian and exclusivist  What is visible today is a new hatred for the idea of democracy as we know it and for the rights as guaranteed in the Constitution. This is quite in keeping with the agenda of cultural nationalism, which strives-through generating a climate of intolerance […]

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Image Courtesy: rangashankara.org

Sadanand Menon de-constructs cultural nationalism, majoritarian and exclusivist

 What is visible today is a new hatred for the idea of democracy as we know it and for the rights as guaranteed in the Constitution. This is quite in keeping with the agenda of cultural nationalism, which strives-through generating a climate of intolerance and intimidation-to keep civil society in a state of constant agitation by subjecting it to constant attack.

–Sadanand Menon

 
Cultural nationalism, by any definition, is a rogue version of nationalism which is already present in concepts of the nation state. Its cunning agenda is to evacuate all ideas of political rights from the idea of a nation state and transplant in its place ideas of cultural rights, obviously weighted in favour of concepts of primogeniture, racial purity and genetic ancestry as contained in ideas like janmabhumi or birthland/homeland and other emotive aspects that touch upon shared language, food and consanguinity. It is a highly charged area of irrational self-beliefs that give little credence to claims of history or any other kind of scientific research. It is an imaginary homeland constructed out of imaginary enemies, who always belong to religions and regions not (you believe, are) your own. It is a strange, anxious individual who will not pay the slightest heed to one’s own proven hybridity. In history, nothing stays ‘pure’. Or, as Salman Rushdie would have it, it’s all subject to ‘mongrelization’.
 
“…In the Indian context, the RSS’s effort has been to construct a ‘national identity’ which is anterior to an elides over the colonial as well Islamic periods of recent times to reach out to an ‘authentic’ India of the hoary past, which remains emblematic of its ‘real’ culture – unique, untrammeled and unadulterated by colonial or Islamic hybridity. In the past, this version found favour with the reigning tenets of Orientalist thought which divided the world into neat, essentialized compartments of the ‘East’ and the ‘West’. The East was, then, nothing but ‘spiritual’. Partha Chatterjee, in Nationalist Thought and the Colonial World: A Derivative Discourse, has clearly argued how these tropes play out, sometimes straight and sometimes inverting their own claims.
 
“..A constant character of the manufacture of cultural nationalism, therefore, is the constant and nagging ‘unhappiness’ over the narratives of the past which digress from specious claims of purity, undifferentiated unity and political power. Every attempt then is to exhibit unbridled triumphalism over its own antiquity and past glories that anticipate similar fortunes in the future.
 
“..Soon after the NDA came to power in 1998 under Aral Bihari Vajpayee, an extraordinary event happened at the National Museum, Delhi. The Harappan Gallery in the museum was quickly ‘renovated’. As you entered that section, space had been created on the left wall of the gallery to inscribe a ‘civilizational timeline’. So there were Sumerian and Assyrian and Babylonian and Egyptian civilizations, all indicated through coloured bands of varying lengths as per their historic antiquity – from 1200 BCE to 2500 BCE. There were about ten or twelve bands in different colours and of diverse lengths. The Chinese civilization, which originated in 3200 BCE, was indicated by a long red band which went halfway across the wall. Above this was a saffron band proudly proclaiming ‘Indian Civilization 7000 BCE’, which went all the way across the wall, dwarfing every other band. The figure, which is a figment of the imagination, has been floating around in the Indian national consciousness since the time Bal Gangadhar Tilak, in his essay ‘The Arctic Home in the Vedas’, had somehow configured the Vedic period to be of around that antiquity. Sometimes these inflated figures were useful during the anti-colonial movement to mobilize nationalist opinion and to thumb your nose at the colonialist. However, post-Independence, even as these figures and strategies get contested through more rigorous research, they do get commandeered for purposes that aid in creating a majoritarian version of historic exceptionalism.”
 
“…Ideas of cultural nationalism emerged hand in hand with late nineteenth-century ideas of nationhood itself. Nationalist leaders like Tilak worked on constructing the idea of a glorious and ancient Indian past, heavily inflected with Hindu symbology, as a strategy to fight the imperialist. This was one of the ways in which the national movement hoped to forge a common Indian identity based on a glorious past (composed in equal parts of myth, legend and select incorporations of historical facts). The idea of the past that the national struggle sought to create in its early days was one of a pre-historic India of mythic origins that was divine, pure, monolithic and untainted by any polluting ‘external’ influence.
 
“..This itself was a myth, for the subcontinent has been host to an unending procession of cultures and claimants who have tromped through it over at least three millennia. Yet the attempt was to make culture the sole base for the formation of the independent nation. Inevitably, because of the majoritarian Hindu population and the national leadership that represented them, this notion of the past that was more or less upper caste and Hindu became conflated and interchangeable movement. In some cases, this was deliberate, in others it was inadvertent. The prototype of how cultural nationalism came to be constructed here can be divided into a few distinct phases.
 
“..The first phase is what would be best described as incipient nationalism. It begins with the early impulse to shape the country’s cultural identity by reforming Hinduism itself. English educated, upper-class/caste Indians of the period begin to take to heart the critique as well as construction of Hindu society by ‘well-meaning’ Western scholars. Customs considered ‘barbaric’ like child marriages, the practice of sati, the isolation of widows, the dedication of women to temples as ‘devadasis’, caste discrimination are all seen as retrograde and deplorable. Reformists like Raja Ram Mohan Roy emerge in the early part of the nineteenth century to campaign actively against such ‘evils’ and set the house in order.
 
“…The setting up of the Brahmo Samaj is clearly an early step in articulating a self-conscious new nationalism. It gets further articulated by more aggressive reformers later in the century like Ishwar Chandra Vidyasagar and Jyotiba Phule. Swami Dayanand Saraswati sets up the Arya Samaj, which simultaneously calls for reform within the Hindu religion and builds defences against erosion by other religions through elaborate rituals of purity and restitution. The frenzied ‘ghar wapsi’ of today is not all that original an idea. Here the Vedas are considered to be the foundation of Indian nationalism. Hindu tradition is invoked for claiming cultural autonomy, for critiquing certain social practices, as well as for providing cultural foundations for assertive nationalism. Mohinder Singh, in ‘Crisis & Critique: Diagnosis of the Present in Nationalist Discourse in Hindi, 1870-1908’, has made the point that ‘nationalism absorbs traditions superficially; in truth it remains nationalism’s suppressed other’.


 Image Courtesy: Wikimedia Commons
“..As A.G. Noorani points out in his essay on the origins of Bharat Mata, a more militant version of nationalism is provided in 1882 by the publication of the novel Anandamath by Bankim Chandra Chatterjee. This was to soon assume the proportion of a manifesto for Hindu nationalism, as Bankim plays with all the tropes of exclusive nationalism – protecting his nation from any external defilement. His idealized nation is Anandamath. The deity he worships is an already militarized, ready-for-battle Krishna who will lead his chosen ones to victory. And, of course, ‘Vande Mataram’ is the battle cry around which he rouses the hordes. It is pertinent here to evoke Sudipta Kaviraj’s masterly study, The Unhappy Consciousness: Bankim Chandra Chattopadhyay and the Formation of Nationalist Discourse in India, where he suggests how Bankim works around the fantasy of war against ‘outsiders’, which included the British and the Muslims. He thus provides a powerful imagery for a future nationalism, which was influential enough to be celebrated in theatre and cinema over the next seventy years. And ‘Vande Mataram’ itself (coupled with ‘Bharat Mata ki Jai’) emerged as the new talisman with which to measure not only one’s patriotism but one’s very nationality. The sheer ecstasy and rapture into which Hindutva hacks went when A.R. Rahman performed in a virtuoso track of ‘Vande Mataram’ nearly a decade ago was never repeated for any of his other works.
 
“..In 1905, coinciding with the partition of Bengal, Abanindranath Tagore paints an image of ‘Banga Mata’ (Mother Bengal). This was soon to be recast as ‘Bharat Mata’ (Mother India), which marked one of the earliest attempts, building on those by Bankim, to cast the nation in the shape of a benevolent mother. This was still a benign image in the gentle wash style of the Bengal School, where the image is soft and radiant and holds promise of bounty, prosperity and benevolence. Subsequently, as the struggle for independence intensified, so did this image of the benevolent mother become increasingly ferocious, a cross between a Durga and a Kali, riding a tiger and fully armed. Bharat Mata took on a distinctly militant identity that was used to mobilize the Hindu flock, irrespective of political persuasion.
           
“…It must be said here that ‘Bharat Mata ki Jai’ is not an attribute of patriotism, but of deep patriarchy. Extreme mother-love is a camouflage for extreme misogyny. Over the past few years in India. The nature of the violence inflicted on women during rapes, riots and caste retributions is of an order seldom witnessed before in any part of the world, except perhaps, in Bosnia during the civil war, or in the Congo, or in Sri Lanka during the final moments of the pogrom against the civilian Tamil population there. From the barbarity of the jawans of the Assam Rifles on Manorama Devi, to incessant mass rapes by soldiers in Kashmir, to the graphic and horrific brutalities (that were videotaped) on even pregnant women in Gujarat in 2002, to the Nirbhaya case in Delhi, there is no evidence to prove that devotion towards an abstract ‘Bharat Mata’ translates into even a semblance of affection or respect for real flesh-and-blood women. Indeed, here it is only literally the flesh and blood that seems to matter. Add to this the kind of vile trolling and rank verbal and mental abuse that independent women activists/writers who stand up for rights and against bullying-like, say, Kavita Krishnan, Teesta Setalvad, Arundhati Roy, Shabnam Hashmi, Shehla Rashid, Rana Ayyub and others – are attacked with indicates a level of morbidity and sexual repression that should be unsustainable in a democracy. Cultural nationalism can truly be said to have arrived when this confusion about one’s identity and sexuality produces a permanent pathology of inadequacy, about which Austrian psychoanalyst
 
Wilhelm Reich has so insightfully written in The Mass Psychology of Fascism (1993). For Reich, cultural nationalism is the basic emotional attitude of the suppressed man. He sees the ‘authoritarian family’ as the base of the middle classes, which is held together with the help of religious fears and rampant mysticism, infused in turn by sexual guilt embedded in their emotions. Religion, thus, leads to negation of sexual desire. Sexual disability results in lowering of self-confidence.
 
This is often compensated by the ‘brutalization of sexuality’. The good doctor was analysing Germany of the 1930s; he might as well have been putting contemporary India on the couch.
 

 (The author is adjunct faculty, Asian College of Journalism and at IIT, Madras. He is currently managing trustee of the Arts Foundation, SPACES, Chennai; this piece of writing is excerpted from Aleph's just published work, On Nationalism where Menon's essay is titled From National Culture to Cultural Nationalism)
 

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If incorrect depictions of India’s borders are a crime, will RSS be prosecuted for ‘Akhand Bharat’? https://sabrangindia.in/if-incorrect-depictions-indias-borders-are-crime-will-rss-be-prosecuted-akhand-bharat/ Fri, 06 May 2016 13:08:09 +0000 http://localhost/sabrangv4/2016/05/06/if-incorrect-depictions-indias-borders-are-crime-will-rss-be-prosecuted-akhand-bharat/ A law proposed by the Union government makes incorrectly drawn borders a severe offense.   Image credit:  IANS Comically muscular jingoism has been the one of things the Bharatiya Janata Party has delivered on strongly. Since it came to power, the party has targetted students from Hyderabad and Delhi, suggested that citizenship should be made […]

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A law proposed by the Union government makes incorrectly drawn borders a severe offense.

 If incorrect depictions of India’s borders are a crime, will RSS be prosecuted for ‘Akhand Bharat’?
Image credit:  IANS


Comically muscular jingoism has been the one of things the Bharatiya Janata Party has delivered on strongly. Since it came to power, the party has targetted students from Hyderabad and Delhi, suggested that citizenship should be made contingent on sloganeering abilities and misinterpreted the history of freedom fighter Bhagat Singh. Friday morning bought the latest installment of the saga: a proposed law to punish incorrect depictions of India’s borders on a map with seven years in jail and a fine that must be equal to the annual income of a small Indian city: Rs 100 crore.

The nub of the issue is that the government of India claims a lot more land than it actually holds. The Jammu and Kashmir that you see on India maps is a fine thing ­– but it doesn’t really exist on the ground. Pakistan controls large parts of the western half of Jammu and Kashmir and China, the Aksai Chin region in the north-east. If you actually show this ground situation on a map, though, you can be prosecuted by the government under a 1961 act that now carries a jail term of six months. If Narendra Modi has his way, that will become seven years.

What about Akhand Bharat?
The interesting thing here is that there is one rather powerful group for which incorrectly depicting India’s borders is almost at article of faith. The Sangh Parivar believes in what is know as Akhand Bharat or undivided India. At its smallest, Akhand Bharat includes present-day India, Pakistan and Bangladesh: basically, the dominions of the British Raj. Other versions also have Afghanistan, Myanmar, Nepal, Sri Lanka and sometimes even Tibet sidling into the map.

Image from the RSS website.
Image from the RSS website.

Hindutva’s irredentist fantasies might not square up to history or logic but they are core to its philosophy. Leaders of the Rashtrya Swamaysevak Sangh are frequently seen declaiming against the backdrop of an Akhand Bharat map and just in December, 2015 Ram Madhav, the general secretary of the ruling Bharatiya Janata Party, made it clear that an Akhand Bharat was a goal of his.

What will happen after this law? Akhand Bharat is also an incorrect depiction of India’s borders, after all. Will RSS chief Mohan Bhagwat be punished? Will the BJP have to give up its Akhand Bharat dreams?

Article first appeared on Scroll.in

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