Compisute Culture | SabrangIndia News Related to Human Rights Mon, 02 Sep 2019 05:39:32 +0000 en-US hourly 1 https://wordpress.org/?v=6.2.2 https://sabrangindia.in/wp-content/uploads/2023/06/Favicon_0.png Compisute Culture | SabrangIndia 32 32 O GANESHA! – Part 1 https://sabrangindia.in/o-ganesha-part-1/ Mon, 02 Sep 2019 05:39:32 +0000 http://localhost/sabrangv4/2019/09/02/o-ganesha-part-1/ Communalism Combat published this two part cover story on the Ganesh festival in October 1996. We bring this to our readers during the ten day Ganesh festivities in Maharashtra, two decades later We’ve always had a Ganapati at my mother’s place, started because my grandmother wanted it. For me as a youngster, the excitement was […]

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Communalism Combat published this two part cover story on the Ganesh festival in October 1996. We bring this to our readers during the ten day Ganesh festivities in Maharashtra, two decades later

We’ve always had a Ganapati at my mother’s place, started because my grandmother wanted it. For me as a youngster, the excitement was that of a social event stretched over 10 days… decorating the mandap, making chaklis and modaks for people who dropped in; the pooja who dropped in; the pooja part incidental.
 
Then, as a I grew older, observing the yearly ritual, I began to think how strange it was that though we bring Ganapati home for 10 days, and do all this around him we don’t actually look at Ganapati but the decorations, the dance we do around him, the food that is cooked, etc.
 
This thought in mind was confirmed when I visited other Ganapatis at Dadar and Lalbaug, the traditional areas. There were huge Ganapatis but the conversation point for people who visited was, apart from the size, centered around the film hoardings on display, the scale and extent of light and flower decorations and the surrounding mandap themes, whether it was a swan or army jawaans flanking Ganapati!
 
I found it exciting to explore this aspect through visits to various Ganapatis all over Bombay and actually experience how people feel about Ganapati and relate to this festival, especially in traditional areas where the celebrations are so important. Why do people throng there, visiting mandap after mandap all over the city?
 
After my exposure to Kalipooja in Calcutta some years later, with this experience of the Ganapati festival behind me, I realist that for these mad thronging crowds traveling all night, queuing up just to glimpse a deity or participate, all this wholesale participation was a source of recreation, to enable them to come out and be part of a massive community event, travel around at all hours, something that they would otherwise never do.
 
This festival extended from being a religious or social event to a cultural occasion: plays were staged, films shown, beautiful music performances heard and competitions held. Theatre activities were also held. All these were opportunities for local talent – not necessarily great actors or actresses – to come forward and display their talent before a community audience.
 
Artists and stage decorators found an occasion to contribute their talent: brilliant ideas of local technology are innovatively applied in stage decoration, in lighting. The way lights and colours are used are perhaps very gaudy but fascinatingly worthy of study.
 
Have you noticed the themes that emerge from Ganapati mandaps?
 
They are often social or political and are an interesting expression through popular art. Every time we’ve had wars, the Indo-China war, (1965), the Indo-Pak war (1975) all the Ganapati mandaps in those years sat (or stood) with a background of the Himalayas – and though Ganapati was spared – jawaans engaged in scenes of combat stood around while Nehruji also figured. Even here, the Ganapati though central was small, incidental.
 
In the eighties, the Shiv Sena and the BJP systematically appropriated this, an occasion which reflected the popular expression of ordinary people to further their ideology and to brainwash people: the SS-controlled mandaps which portray the Marathas (pitted against the Moghuls) and those of the BJP, which show dominant images of Ram and Sita, serve their respective ideologies well.
 
These, and some other aspects that have emerged in recent years I find very disturbing. The long queues outside the Siddhivinayaka (another “avatar” of Ganesh) temple round the year when people seek a divine boon or blessing, for example, have nothing to do with this celebratory cultural event which also has its positive sides. That is just plain andhashradha (blind faith) linked closely with a general growth in religious consciousness. That is, for me, upsetting.
 
We all know that the Ganapati festival as we see it in its sarvajanik (community) from, particularly the aspect of its public immersion preceded by a huge procession, was started by Lokmanya Tilak as a way of mobilising people against the British, (leave aside the fact that it was also conceived or perceived in competition with the moharram procession), but today this same politicization has taken a distinctly communal turn.
 
The ten days of Ganapati celebration are used by certain parties who have taken control of all the Ganesh mandaps in the city, to brainwash people… they use theatre, skits, plays and films, songs to further their agenda. And because it is a Hindu festival, in Maharashtra it is obviously the Shiv Sena and the BJP who are the pudharis (the leaders). And, when we say they use the festival to further their agenda, don’t we know how dangerous that agenda is?
 
During the communal riots in Bombay in 1992-93, the mahaartis were used to mobilize ostensibly against Muslim namaazis. Even now, this tension is still there just below the surface, people are trying too cope with it individually but these parties don’t want to allow people to forget and are actively creating further tensions.
 

Ganesh, greenbucks ….
 
More than 9,000 mandals in Bombay are engaged in local organizing and celebrations according to official figures. For Maharashtra, the figure in 35,000.
 
In an interview given to The Times of India the president of the Brihanmumbai Sarvajanik Ganeshotsav Samiti’s co-ordination committee, Arun Chaphekar gave total figures, staggering in their entirety, of money collections made on occasion of the 10-day long annual festival. He said that all the mandals together collect around Rs.25 crores from the people. Besides this, the collections from banners, advertisements and donations is approximately Rs. 125 crores.
 
According to Chaphekar, there are five Ganapati mandals that have a budget of Rs. 25 lakhs each, about 100 mandals spend close to Rs. 10 lakhs each. In his opinion, the big mandals spend 20 per cent for the decoration, 10 per cent for lighting and 5 per cent for the idol. The rest, is spent on cultural programmes.
 
Explaining that immense business is also generated during the period, Chaphekar claim also was that the authorities impose hefty taxes on some of the items used for the pooja like the janvi (sacred thread), fruits, coconut and beetle leaves. Whatever money remains from the annual collections, is put aside into fixed deposits for the mandal’s future functions.
 
All in all a huge some of money is handled by mandals and in this age of political non-absolutes, when political parties dominate the sarvajanik Ganeshotsav scene, a possible case can be made for scrutiny: funds collected in the name of the Lord should surely not grease political palms?
 
…and the de-greening of Bombay
 
The Bombay High Court ruling that limited loudspeakers around the Ganapati mandals to 11.30 p.m. afforded a measure of victory to the green lobby that has been attempting to raise consciousness and impose regulation at the high noise-levels generated during the 10-day celebrations that far exceed the permitted decibel limits under the Environment Protection Act, 1986.
 
“The EPA does not permit noises above 45 decibles at night in residential areas, but loudspeaker noises are within the 80 to 100 decible range,” pointed out Y. T. Oke from the anti-noise pollution committee. The petition was filed jointly by this organization with the Bombay Environment Action Group (BEAG) and the Association of Medical Consultants (AMC).
 
While Chaphekar of the Ganeshotsav samiti reacted by asking why the green lobby was focusing on religious festivals when other sources of noise pollution, including that generated by vehicular traffic, was not sought to be controlled, Oke clarified that it was not any particular festival that was the “target” – last year, similar legal action was sought to be taken at the time of the Navratri festival (nine days of dancing the raas-garba culminating in Dussehra) but by the time they attempted to do so, loudspeaker licenses had already been granted.
 
(If these were the figures in 1996, what would they be now?

Then the money aspect, crude commercialization, has also crept in Ganapati has become a front for huge money collection (see box). So not only does the political brainwashing go on, there are select political parties behind the festival Bombay who are in complete control of all the mandaps, and they will use it, each year, as a front to collect funds for the next elections.
 
Do you remember the “Vardhadada’s” Ganapati at Matunga? A criminal and a don who sought social respectability began to be seen as a Robin Hood figure through this massive Ganapati that he instituted, replete with lavish lights and decorations. It was the trend started by Vardha, after which all these other “sponsored” Ganapatis started. The local political heavweight of simply a deity sponsored by Gwalior or Dinesh suitings!
 
The whole charm of a community event, the original sarvajanik Ganapati festival, made possible through painstaking collections of small and voluntary individual contributions, is gone. The element of faith and worship, individual and collective, has been replaced by the crudeness of a purely commercial activity.
 
How many people actually think of poor Ganapati? The fact that he is such a cute God, as an art form, the Ashtavinayaka, he is beautiful. As an artist I call him cute, children take to him, he eats ladoos and modaks, he’s half-elephant, half-human, he has a perculiar vahaan (vehicle of transport, the rat): everything to awaken the curious. And the endless chain of Ganapati stories on which so many children have fantasised.
 
Where has the Ganapati got lost in all this?
 
(As told to Communalism Combat; Shakuntala Kulkarni is a well-known artist)

Also Read
O GANESHA! – Part 2

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Yoga isn’t an all-Hindu tradition – it has Buddhist, even Sufi, influences https://sabrangindia.in/yoga-isnt-all-hindu-tradition-it-has-buddhist-even-sufi-influences/ Sat, 28 Jan 2017 06:23:05 +0000 http://localhost/sabrangv4/2017/01/28/yoga-isnt-all-hindu-tradition-it-has-buddhist-even-sufi-influences/ Two scholars dipped into 100 texts, and found that yoga is not as culturally homogenous as the Right Wing makes it out to be.   Yoga is not a culturally homogenous, all-Hindu, Vedic tradition, as is often portrayed by revivalist demagogues and those who have set up a raucous campaign to reclaim its roots. It […]

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Two scholars dipped into 100 texts, and found that yoga is not as culturally homogenous as the Right Wing makes it out to be.

Yoga
 

Yoga is not a culturally homogenous, all-Hindu, Vedic tradition, as is often portrayed by revivalist demagogues and those who have set up a raucous campaign to reclaim its roots. It is, in fact, a liberal, eclectic tradition that absorbed freely from Buddhist, Jain, even Sufist ascetic practices.

Roots of Yoga, a new academic work by renowned yoga scholars Mark Singleton and James Mallinson, is an intensive study of over 100 core texts on the subject. These date from 1000 BCE to the 19 century CE, from early Upanishads and Mahabharata to Jnaneswari and Hawz al-Hayat (The Spring of Life), and include rare texts in several languages, including Tamil, Avadhi, Marathi, Kashmiri, Pali, Tibetan, Arabic and Persian.

The book, five years in the making and launched last week by Abhyas Trust in Delhi, punctures some of the popular myths around yoga. To begin with, there is no evidence that yoga started as a religious tradition.

“Yoga was a sort of floating technology between various religious systems,” said Singleton. “The Dattatreyayogasastra (13CE), for instance, says that yoga can be practised by anyone irrespective of religion or caste, ascetics, Brahmins, Buddhists, Jains, tantrics and even materialists.”

Dattatreyayogasastra has some pithy things to say about religious figureheads in “ochre robes” claiming to be great yogis, while lacking practice, faith and wisdom – “men like that do not practise yoga but attain their ends through words alone, one should shun those who wear religious garb”.

What inspired the book, Singleton said, was the desire to relook at the hegemony of a handful of texts, mostly Patanajil’s Yogasutras (2CE), in the modern recap of yoga history. “There is a vast range of thinking on yoga through different texts and they don’t necessarily repeat the Yogasutras,” said Singleton. He and Mallinson are also part of an ambitious ongoing five-year research project at SOAS, a university in London, on the evolution of one of the branches of yoga – hatha yoga.
 

Mark Singleton and James Mallinson
Mark Singleton and James Mallinson
 

Another widely-held theory is that yogas are a Vedic practice, traceable back to 1500 to 1000 BCE. This is part of a common revivalist tendency to push the antiquity of knowledge traditions further back in history to give them greater importance. Some wishful thinkers in fact push it as far back as the Indus Valley Civilisation (3300-1300 BCE), pointing to the Pasupati seal that depicts a seated figure and was discovered at Mohenjo-daro. As the book points out, there are images in Mesoamerica that resemble yogic asanas more than the seal.

The book also traces what is now referred to as yoga, particularly dhyanayoga (meditation), to a much later period – 500 BCE, also the period when Buddhism began its rise to prominence. The Vedas had certain elements of mysticism, posture and breath control critical in yoga, but by no means does that make for evidence of a systematic yogic practice in Vedic era, say the authors.

It was a bunch of renunciant ascetics called Sramanas (strivers) seeking nirvana and moksha (liberation) around 500 BCE whose practices created the earliest template for yoga, though they did not call it that. “These groups, which probably developed independently of the Brahmanical Vedic traditions, but were influenced by them to varying degrees, included Buddhists, Jains and the lesser-known Ajivikas,” says the book. Ajivika was an ascetic sect that challenged the Brahminical grip on Hinduism.
 

Janis C Alano/Reuters
Janis C Alano/Reuters
 

Buddhist practices, texts and deities indeed exerted a strong influence in the shaping of yoga, taking its early practice, under other names, to Tibet and Sri Lanka. “The first major text on hatha yoga is Amritasiddhi, an 11th century tantric Buddhist work,” said Mallinson, who has researched extensively on extreme practices in yoga and written a book on the esoteric tantric practice of Khecharividya.

Research now shows that the Buddhist Yogacara school and its texts predate Yogasutra by two centuries. And the use of several asanas and mudras “bear a close similarity to ascetic practices first mentioned in the latter half of the first millennium BCE, shortly after the time of the Buddha”.
“In the second millennium, the new techniques of haṭha yoga began to be incorporated into the vedantic mainstream, and new texts were composed – such as the so-called Yoga Upaniṣads – which assimilated these technologies and presented them as part and parcel of the tradition,” said Singleton. “Previously, authorities like Shankara had rejected yoga as a spiritual path. Increasingly, hatha yoga became accepted as a practice suitable to householders rather than just renunciants.”

The vedantic appropriation of yoga reached a high point with raja yoga, popularised by Swami Vivekananda towards the end of the 19th century. It combined vedanta, yoga and western “spiritual” techniques. It is the heady mix of yoga, spiritualism and nationalism propagated by him that makes him the favourite philosopher and yogi of the Right-Wing establishment.
 


 

Yoga has, over the last couple of years, been personally pushed by Prime Minister Narendra Modi. The Yoga Day spectacles on June 21, the drive to ensure it greater place in academia and institutions, and the aggressive stance on issues taken by babas and yogis have ensured that the tradition has now acquired a muscular nationalist profile.

Alongside, the US-based Hindu American Foundation has been protesting what it calls the cultural appropriation of yoga by the West. It accuses the Western countries of tearing the tradition from its Hindu roots. There are an equal number of Christian and Islamist organisations that see yoga as a Hindu practice. Singleton and Mallinson themselves were at the receiving end of blunt comments at the 2017 Jaipur Literature Festival: what are two white guys doing writing on yoga? They are often asked confused questions about yoga’s religious roots and antiquity.

But yoga itself has been robustly open to the idea of taking diverse cultures into its cultures throughout its history. “You often find greater details in some of the Persian texts on yoga than in Sanskrit,” said Mallinson. “In fact, the first illustrated manuscript on yoga, Bahr al-Hyat (Ocean of Life), was commissioned by Prince Salim, later Emperor Jahangir.”
 

Courtesy:Scroll.in.

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