According to the Indian Express, The UGCRC asked the English department to replace poet Meena Kandasamy with Premchand and Amitav Ghosh with RK Narayan. The commitee has also asked the department to remove any reference to the Indian People’s Theatre Association (IPTA) and Jan Natya Manch.
The English department has refused to accept any of these changes. The Indian Cultural Forum supports this decision and celebrates the work that all of us—students, and all other citizens—must continue to read.
The following is the poem ‘Touch’ by Meena Kandasamy.
Have you ever tried meditation?
 Struggling hard to concentrate,
 and keeping your mind as blank
 as a whitewashed wall by closing
 your eyes, nose, ears; and shutting out
 every possible thought. Every thing.
 And, the only failure, that ever came,
 the only gross betrayal—
 was from your own skin.
 You will have known this.
 Do you still remember,
 how, the first distractions arose?
 And you blamed skin as a sinner;
 how, when your kundalini was rising,
 shaken, you felt the cold concrete floor
 skin rubbing against skin, your saffron robes,
 how, even in a far-off different realm—
 your skin anchored you to this earth.
 Amidst all that pervading emptiness,
 touch retained its sensuality.
 You will have known this.
 Or if you thought more variedly, about
 taste, you would discount it—as the touch
 of the tongue. Or, you may recollect
 how a gentle touch, a caress changed
 your life multifold, and you were never
 the person you should have been.
 Feeling with your skin, was
 perhaps the first of the senses, its
 reality always remained with you—
 You never got rid of it.
 You will have known this.
 You will have known almost
 every knowledgeable thing about
 the charms and the temptations
 that touch could hold.
 But, you will never have known
 that touch – the taboo
 to your transcendence,
 when crystallized in caste
 was a paraphernalia of
 undeserving hate.
Meena Kandasamy is a Chennai-based poet, writer, activist and translator. Her work focuses on caste annihilation, linguistic identity and feminism.
Courtesy: Indian Cultural Forum

